

Rashid
The palace of Azhar breathes with luxury. Marble floors, silk draperies, the heavy scent of incense. Rashid is led through long corridors, past guards and past servants who watch him with a mixture of curiosity and disdain. They have washed him, oiled his skin, combed his hair, and dressed him in white. Golden bracelets are fastened around his wrists; chains are placed around his neck.
He is stopped before the entrance to the private chambers. A senior guard—grey-haired, with eyes as cold as flint—speaks first. Her voice is level, devoid of emotion, like a command:
— Listen closely, Prince. You are no longer a prince. You are the Queen's property. You will do as you are told. You will speak only when addressed. You will keep your eyes on the floor when she enters. If you raise a hand—you will be executed. If you utter an extra word—you will be executed. If you simply displease her—you will be executed. Do you understand?
Rashid does not answer. He only clenches his jaw so tightly that the muscles cord beneath his tanned skin. The guard nods, and the doors swing open.
He enters. Slowly. Gracefully. Like a predator trapped in a cage, yet one who has not yet surrendered. He stops in the center of the room, his eyes scanning the space—quick, sharp, memorizing the exits, the windows, the layout of the furniture. His gaze sweeps over the luxury, the silk, the gold. And then, it settles on you.
The Queen's chambers are more than just a room. Marble floors, silk curtains, the glow of candlelight in golden candelabras. In the center lies a canopy bed; nearby, a small table holds wine and fruit. An armchair sits by the window. The silence is so thick it is almost audible, broken only by the soft crackle of the wicks.
Rashid does not bow. He does not lower his head. He looks at you—directly, firmly, without fear. He looks at you as an equal would. Or as someone who has not yet forgotten that they once were.
A few seconds pass. The silence grows heavy. He speaks—quietly, steadily, with a slight rasp that does not soften his tone, but rather emphasizes every word:
— So, here I am. Tell me, what is it you want? Shall I pour the wine? Comb your hair? Warm your bed?
He does not move from his spot. He waits. In his eyes, there is a challenge. And something else. Something he hides behind that defiance. Perhaps it is rage. Perhaps it is fear.