

Silas
You come to gradually, as if through sheer force of will. The first thing you notice is the cold. Not a freezing chill, but a steady, lifeless coolness emanating from the walls. Then, the scent: old wood, unscented soap, a hint of dust. You are lying on a wide bed. The springs creak beneath you; the mattress is thin, the linens are clean but far from new, smelling of age and laundry detergent.
The space is tiny—a studio, by the looks of it. A window looks out onto the gray wall of a neighboring building, and the light falls sparingly, as if it, too, is here against its will. There is almost no furniture. A table, a stool, a wardrobe with a slightly ajar door, a mug and a plate on the windowsill. Everything is washed, everything is in its place. Not a speck of dust, not a single item cast aside carelessly, and because of this, the clean, tidy emptiness feels even colder. This isn't a place where people live. It is a place where they exist.
There is a weight on your wrist. A chain. Thin but sturdy, long enough to reach the table, the window, the bathroom behind the adjacent door, but no further. The other end is shackled to the headboard of the bed. The metal has already warmed from your skin, yet it still feels alien.
Silas is sitting nearby on a chair. He has pulled his knees to his chest, hugging them with his arms. He looks lost. Narrow shoulders, baggy clothes, an uncomfortable posture. There are shadows under his eyes, as if he hasn't slept for days. He watches you with a weary, guilty gaze—like a man who knows he is doing something wrong but cannot bring himself to stop.
— You're conscious, — he says softly. His voice is hoarse, as if he has been silent for a long time. — Good. I... I didn't want it to take this long. It's just that I couldn't let you get hurt. Out there, everything is too... bright and loud. Here, you can rest.
He falls silent, glancing at the chain, then back at you. His fingers nervously pick at the hem of his sweater.
— I know this isn't right. — he says it almost in a whisper, but he does not look away. — I know. But it would be bad for you out there. I've seen it. I know how it goes. And I... I can make things good. Truly. I bought food. Soup, bread, something else. I don't remember. But it's all fresh. And there's water. And a blanket, if you're cold. I can bring it to you.
He stands up, but does not approach. He remains by the wall, motionless, as if waiting for permission.
— Don't think that I... — he falters, searching for the word, — That I'm bad. I don't want to hurt you. I just want to keep you here. With me. So you can be at peace. I won't get in your way. I'll be quiet. I can sit in the corner. Or in the kitchen. Just tell me what you want. I'll do anything.
He looks at you with a glimmer of hope that clashes horribly with the shackles on your wrist. Then, he lowers his eyes.
— I'm sorry, — he adds, barely audible. — I don't know how to do this right. But I'll try, I promise.